<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-37866971</id><updated>2011-08-31T20:31:29.199-07:00</updated><title type='text'>filmes vistos a partir de 2008 ranqueados por cores</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://listasaquelaslistas.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37866971/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://listasaquelaslistas.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Guilherme Semionato</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/-ssBL9PIRS2o/Tl78iZDFL6I/AAAAAAAAATM/TqMTO_0fsew/s220/229768_10150264122050735_587755734_7786206_8007707_n.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-37866971.post-8223193588342274652</id><published>2010-06-26T10:04:00.000-07:00</published><updated>2011-01-08T20:04:42.189-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:courier new;"&gt;Este excelente sistema é do &lt;span style="font-family:courier new;"&gt;&lt;a href="http://www.panix.com/%7Esallitt/bestfilm.html"&gt;Dan Sallitt&lt;/a&gt;. É o único modo de valorá-los através dos anos – o que permite comparações (esdrúxulas, eu sei) entre filmes de anos e décadas diferentes aos quais atribuí cor idêntica. Os filmes listados aqui são &lt;span style="font-style: italic;"&gt;apenas &lt;/span&gt;os que aprecio em &lt;span style="color: rgb(255, 0, 0);"&gt;maior &lt;/span&gt;ou &lt;span style="color: rgb(153, 51, 153);"&gt;menor&lt;/span&gt; grau. Ademais, só entram filmes (longas e curtas-metragens) vistos a partir de 2008. Funciona mais ou menos assim: &lt;span style="color: rgb(255, 0, 0);"&gt;obras-primas flamejantes (*****)&lt;/span&gt;, &lt;span style="color: rgb(255, 102, 0);"&gt;indo por este caminho glorioso (****1/2)&lt;/span&gt;, &lt;span style="color: rgb(0, 153, 0);"&gt;notáveis (****)&lt;/span&gt;, &lt;span style="color: rgb(51, 51, 255);"&gt;algo notáveis (***1/2)&lt;/span&gt;, &lt;span style="color: rgb(153, 51, 153);"&gt;quase lá (***, mas não todos; senão não teria fim)&lt;/span&gt;. Por incrível que pareça, estão em ordem de preferência, o que faz desta compilação uma lista de favoritos, só não numerada.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;2010&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;TERÇA DEPOIS DO NATAL (Radu Muntean)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;CARLOS (Olivier Assayas)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;TIO BOONMEE, QUE PODE RECORDAR SUAS VIDAS PASSADAS&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; &lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;(Apichatpong Weerasethakul)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;CATFISH (&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;Ariel Schulman e Henry Joost)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;THE SOCIAL NETWORK (David Fincher)&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;GREENBERG (Noah Baumbach)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;A EMPREGADA (Im Sang-soo)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;SHUTTER ISLAND (Martin Scorsese)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;WINTER'S BONE (Debra Granik)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;TOY STORY 3 (Lee Unkrich)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;THE GHOST WRITER (Roman Polanski)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;LOS LABIOS (Iván Fund e Santiago Loza)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;MACHETE (Robert Rodriguez e Ethan Maniquis)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;KABOOM (Gregg Araki)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;2009&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;WHITE MATERIAL (Claire Denis)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;LES HERBES FOLLES (Alain Resnais)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;AVATAR (James Cameron)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LA PIVELLINA (Tizza Covi e Rainer Frimmel)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;MADEMOISELLE CHAMBON (Stéphane Brizé)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BAD LIEUTENANT: PORT OF CALL NEW ORLEANS (Werner Herzog)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;THE EXPLODING GIRL (Bradley Rust Gray)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;FRANÇA (Adrián Caetano)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;RAPT &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;(Lucas Belvaux)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;BRIGHT STAR (Jane Campion)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;DRAG ME TO HELL (Sam Raimi)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;MARY AND  MAX  (Adam Elliot)&lt;br /&gt;ADVENTURELAND  (Greg Mottola)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;DOGTOOTH (Giorgos Lanthimos)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;NORTEADO (Rigoberto Pérezcano)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;QUEBRA-CABEÇA (Natalia Smirnoff)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;ALAMAR (Pedro González-Rubio)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;INGLOURIOUS BASTERDS (Quentin  Tarantino)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;MORRER COMO UM HOMEM (João Pedro  Rodrigues)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;VINCERE (Marco Bellocchio)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;2008&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;HISTÓRIAS EXTRAORDINÁRIAS (Mariano Llinás)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER (Kurt Kuenne)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;UN CONTE DE NOËL (Arnaud Desplechin)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;35 RHUMS (Claire Denis)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;HAPPY-GO-LUCKY (Mike Leigh)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SONATA DE TÓQUIO (&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;Kiyoshi Kurosawa)&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LA MUJER SIN CABEZA (Lucrecia Martel)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LES PLAGES D'AGNÈS (Agnès Varda)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;HUNGER (Steve McQueen)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;ENTRE LES MURS (Laurent Cantet)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE  WRESTLER (Darren Aronofsky)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;CHANGELING (Clint Eastwood)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;VEGAS:   BASED ON A TRUE STORY (Amir Naderi)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;AINDA A CAMINHAR (Hirokazu Kore-eda)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;WENDY  AND LUCY (Kelly Reichardt)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;&lt;span style="color: rgb(153, 51, 153);"&gt;LEONERA  (Pablo Trapero)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;SNOW   ANGELS (David Gordon Green)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;NOITE E DIA (Hong Sang-soo)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;TWO LOVERS (James Gray)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;L'HEURE  D'ÉTÉ (Olivier Assayas)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;HOME (Ursula Meier)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;PINEAPPLE EXPRESS (David Gordon  Green)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;LE SILENCE DE LORNA (&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;Jean-Pierre e Luc Dardenne)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;GRAN TORINO (Clint Eastwood)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;RACHEL GETTING MARRIED (Jonathan  Demme)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;AQUELE QUERIDO MÊS DE AGOSTO  (Miguel Gomes)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;DERNIER MAQUIS (Rabah  Ameur-Zaïmeche)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;2007&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;EN LA CIUDAD DE SYLVIA (José Luis Guerín)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;LE VOYAGE DU BALLON ROUGE (Hou Hsiao-hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;LA GRAINE ET LE MULET (Abdelatif Kechiche)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;DEATH PROOF (Quentin Tarantino)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SOL SECRETO (Lee Chang-dong)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THERE WILL BE BLOOD (Paul Thomas Anderson)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;GONE BABY GONE (Ben Affleck)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;PARANOID PARK (Gus Van Sant)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;MUTUM (Sandra Kogut)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;MICHAEL CLAYTON (Tony Gilroy)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;TRAQUINAGENS (Andrzej Jakimowski)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;STUCK  (Stuart Gordon)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;TOUT EST  PARDONNÉ (Mia Hansen-Løve)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;LES AMOURS D'ASTRÉE ET DE  CÉLADON (Eric Rohmer)&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;THE MIST (Frank Darabont)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;IN BRUGES (Martin McDonagh)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;EASTERN PROMISES (David  Cronenberg)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;LUZES NA ESCURIDÃO (Aki  Kaurismäki)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;FUNNY  GAMES U.S. (Michael Haneke)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;I'M NOT THERE (Todd Haynes)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2006&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;SÍNDROMES E UM SÉCULO (Apichatpong Weerasethakul)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;ANCHE LIBERO VA BENE (Kim Rossi Stuart)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;EXILADOS (Johnnie To)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SLEEPING DOGS LIE (Bob Goldthwait)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;MEDOS PRIVADOS EM LUGARES  PÚBLICOS&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt; (Alain Resnais)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;NUE PROPRIÉTÉ (Joachim Lafosse)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;VERÃO DE 2004 (Stefan Krohmer)&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;BELLE TOUJOURS (Manoel de  Oliveira)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;BLACK BOOK (Paul Verhoeven)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;FORA DE JOGO (Jafar Panahi)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;LÀ-BAS (Chantal Akerman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O DESEJO LIBERADO (Matthias  Glasner)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;2005&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;CONTO DE CINEMA (Hong Sang-soo)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;EDMOND (Stuart Gordon)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;TRÊS TEMPOS (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;2004&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;MAL DOS TRÓPICOS (Apichatpong Weerasethakul)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2003&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;L'ESQUIVE (Abdellatif Kechiche)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE BROWN BUNNY (Vincent Gallo)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;OURO CARMIM (Jafar Panahi)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;CAFÉ LUMIÈRE (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;THE ROOM (Tommy Wiseau)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;2002&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;25th HOUR (Spike Lee)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;FEMME FATALE (Brian De Palma)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;ETERNAMENTE SUA (Apichatpong Weerasethakul)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2001&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;DONNIE DARKO (Richard Kelly)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;WET HOT AMERICAN SUMMER (David Wain)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;LOVESONG (Stan Brakhage)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;PULSE (Kiyoshi Kurosawa)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;MILLENNIUM MAMBO (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;2000&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;YOU CAN COUNT ON ME (Kenneth Lonergan)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LA FAUTE À VOLTAIRE (Abdellatif Kechiche)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;MISTERIOSO OBJETO AO MEIO-DIA &lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;(Apichatpong Weerasethakul)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;1999&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;THE STRAIGHT STORY (David Lynch)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;M/OTHER (Nobuhiro Suwa)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE TALENTED MR. RIPLEY (Anthony Minghella)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1998&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;RUSHMORE (Wes Anderson)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE LAST DAYS OF DISCO (Whit Stillman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BUFFALO '66 (Vincent Gallo)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE BIG LEBOWSKI (Joel Coen)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;OUT OF SIGHT (Steven Soderbergh)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;FLORES DE XANGAI (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;1997&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;JACKIE BROWN (Quentin Tarantino)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;BOOGIE NIGHTS (Paul Thomas Anderson)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;XIAO WU (Jia Zhang-ke)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;CURE (Kiyoshi Kurosawa)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;GROSSE POINTE BLANK (George  Armitage)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;TWO GIRLS AND A GUY (James  Toback)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1996&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;FARGO (Joel Coen)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: courier new; color: rgb(153, 51, 153);"&gt;ADEUS AO SUL (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1995&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SHOWGIRLS (Paul Verhoeven)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1994&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SPANKING THE MONKEY (David O. Russel)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NOBODY'S FOOL (Robert Benton)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1993&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;L'ARBRE, LE MAIRE ET LA  MÉDIATHÈQUE (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;SHORT CUTS (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LE TOMBEAU D'ALEXANDRE (Chris Marker)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NAKED (Mike Leigh)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1992&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;RESERVOIR DOGS (Quentin Tarantino)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BAD LIEUTENANT (Abel Ferrara)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;NAKED LUNCH (David Cronenberg)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;GLENGARRY GLEN ROSS (James Foley)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;THE PLAYER (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1991&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;JACQUOT DE NANTES (Agnès  Varda)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1989&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SEX, LIES, AND VIDEOTAPE (Steven Soderbergh)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;O SERVIÇO DE ENTREGAS DA KIKI (Hayao Miyazaki)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;RECORDAÇÕES DA CASA AMARELA (João César Monteiro)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1988&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;DEAD RINGERS (David Cronenberg)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;HEATHERS (Michael Lehmann)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;1987&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SUPERSTAR: THE KAREN CARPENTER STORY (Todd Haynes)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BROADCAST NEWS (James L. Brooks)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;HOUSE OF GAMES (David Mamet)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;4 AVENTURES DE REINETTE ET MIRABELLE (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE PRINCESS BRIDE (Rob Reiner)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1986&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE FLY (David Cronenberg)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;FORTRESS (Arch Nicholson)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1985&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;THE PURPLE ROSE OF CAIRO (Woody Allen)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;VAGABOND (Agnès Varda)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O.C. &amp;amp; STIGGS (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1984&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;LOVE STREAMS (John Cassavetes)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;CHOOSE ME (Alan Rudolph)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;LES NUITS DE LA PLEINE LUNE  (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;U.S. GO HOME (Claire Denis)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;UM VERÃO NA CASA DO VOVÔ (Hou Hsiao-Hsien)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BODY DOUBLE (Brian De Palma)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BLOOD SIMPLE. (Joel Coen)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;L'AMOUR À MORT  (Alain Resnais)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1983&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE DEAD ZONE (David Cronenberg)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;VIDEODROME (David Cronenberg)&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;À NOS  AMOURS (Maurice Pialat)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;RISKY BUSINESS (Paul Brickman)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1982&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;LE BEAU MARIAGE (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;WHITE DOG (Samuel Fuller)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;THE THING (John Carpenter)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;A NOITE DE SÃO LOURENÇO (Paolo e  Vittorio Taviani)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1981&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;LA FEMME DE L'AVIATEUR&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt; (Eric Rohmer)&lt;br /&gt;BLOW OUT (Brian De Palma)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1980&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;DRESSED TO KILL (Brian De Palma)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE FOG (John Carpenter)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;POPEYE (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1979&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;MANHATTAN (Woody Allen)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;A PERFECT COUPLE (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;THE BROOD (David Cronenberg)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O CASTELO DE CAGLIOSTRO (Hayao  Miyazaki)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1978&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;DAYS OF HEAVEN (Terrence Malick)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;A LIRA DO DELÍRIO (Walter Lima Júnior)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;HALLOWEEN (John Carpenter)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE FURY (Brian De Palma)&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;A WEDDING (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1977&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;KILLER OF SHEEP (Charles Burnett)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;3 WOMEN (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;ANNIE HALL (Woody Allen)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;LE FOND DE L'AIR EST ROUGE (Chris  Marker)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1976&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;ASSAULT ON PRECINCT 13 (John Carpenter)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;OBSESSION (Brian De Palma)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE TENANT (Roman Polanski)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;PESADELO PERFUMADO (Kidlat Tahimik)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;TAKE THE 5:10 TO DREAMLAND (Bruce Conner)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1975&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;JAWS (Steven Spielberg)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;NASHVILLE (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;SHAMPOO (Hal Ashby)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1974&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;CALIFORNIA SPLIT (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THIEVES LIKE US (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1973&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;O ESPÍRITO DA COLMEIA&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;(Víctor Erice)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;BADLANDS (Terrence Malick)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE LONG GOODBYE (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;TURKS FRUIT (Paul Verhoeven)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;SISTERS (Brian De Palma)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1972&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;THE GODFATHER (Francis Ford Coppola)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1971&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;McCABE &amp;amp; MRS. MILLER (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;A NEW LEAF (Elaine May)&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE ACT OF SEEING WITH ONE'S OWN EYES (Stan Brakhage)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;TWO-LANE BLACKTOP (Monte Hellman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LITTLE MURDERS (Alan Arkin)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1970&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BREWSTER McCLOUD (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;MASH (Robert Altman)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1969&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;MA NUIT CHEZ MAUD (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1968&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;PETULIA (Richard Lester)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;L'ENFANCE NUE (Maurice Pialat)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;VALENTIN DE LAS SIERRAS (Bruce Baillie)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;JE T'AIME, JE T'AIME (Alain Resnais)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1967&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;PLAYTIME (Jacques Tati)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;REPORT (Bruce Conner)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;LES DEMOISELLES DE ROCHEFORT (Jacques Demy)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1966&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;SETE MULHERES (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1964&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;LES PARAPLUIES DE CHERBOURG (Jacques Demy)&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;CREPÚSCULO DE UMA RAÇA (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;DOG STAR MAN (Stan Brakhage)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1963&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;MOTHLIGHT (Stan Brakhage)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE SERVANT (Joseph Losey)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;CHARADE (Stanley Donen)&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O AVENTUREIRO DO PACÍFICO (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;LA BAIE DES ANGES (Jacques  Demy)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;LA CARRIÈRE DE SUZANNE (Eric  Rohmer)&lt;br /&gt;LA BOULANGÈRE DE MONCEAU (Eric Rohmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1962&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 0);font-family:courier new;" &gt;O HOMEM QUE MATOU O FACÍNORA (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;A ROTINA TEM SEU ENCANTO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;IL SORPASSO (Dino Risi)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1961&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;LOLA (Jacques Demy)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;TERRA BRUTA (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;IL POSTO (Ermanno Olmi)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1960&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;DIAS DE OUTONO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1959&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;NORTH BY NORTHWEST (Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;DAY OF THE OUTLAW (André De Toth)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SHADOWS (John Cassavetes)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;ERVAS FLUTUANTES (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;BOM DIA (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1958&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;VERTIGO (Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;O ÚLTIMO HURRAH (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SOME CAME RUNNING (Vincente Minnelli)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;BONJOUR TRISTESSE (Otto Preminger)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;FLOR DO EQUINÓCIO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1957&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SEVEN MEN FROM NOW (Budd Boetticher)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1956&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;BIGGER THAN LIFE (Nicholas Ray)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 0);font-family:courier new;" &gt;RASTROS DE ÓDIO (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;LE BALLON ROUGE (Albert Lamorisse)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;WRITTEN ON THE WIND (Douglas Sirk)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;COMEÇO DE PRIMAVERA (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1955&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;THE NIGHT OF THE HUNTER (Charles Laughton)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;ALL THAT HEAVEN ALLOWS (Douglas Sirk)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;THE TROUBLE WITH HARRY (Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;THE MAN FROM LARAMIE (Anthony Mann)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1954&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;JOHNNY GUITAR (Nicholas Ray)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1953&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 0);font-family:courier new;" &gt;ERA UMA VEZ EM TÓQUIO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;O SOL BRILHA NA IMENSIDÃO (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;CRIN BLANC: LE CHEVAL SAUVAGE (Albert Lamorisse)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE NAKED SPUR (Anthony Mann)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;MADAME DE... (Max Ophüls)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1952&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SINGIN' IN THE RAIN (Stanley Donen &amp;amp; Gene Kelly)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;ANGEL FACE (Otto Preminger)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;DEPOIS DO VENDAVAL (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;RANCHO NOTORIOUS (Fritz Lang)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1951&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;TAMBÉM FOMOS FELIZES (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;STRANGERS ON A TRAIN (Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1950&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;CARAVANA DE BRAVOS (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;FATHER OF THE BRIDE (Vincente Minnelli)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;GUN CRAZY (Joseph H. Lewis)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;BORN YESTERDAY (George Cukor)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;AS IRMÃS MUNEKATA (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1949&lt;span style="color: rgb(0, 153, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;PAI E FILHA (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE RECKLESS MOMENT (Max Ophüls)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1948&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE RED SHOES (Michael Powell &amp;amp; Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;FORT APACHE (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;LETTER FROM AN UNKNOWN WOMAN (Max Ophüls)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;ROPE (Alfred Hitchcock)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O CÉU MANDOU ALGUÉM (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;UMA GALINHA NO VENTO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1947&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;DAISY KENYON (Otto Preminger)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1946&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;A MATTER OF LIFE AND DEATH (Michael Powell &amp;amp; Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;PAIXÃO DE FORTES (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;CLUNY BROWN (Ernst Lubitsch)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;RELATO DE UM PROPRIETÁRIO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;GREAT EXPECTATIONS (David Lean)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1945&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;I KNOW WHERE  I'M GOING! (Michael Powell &amp;amp; Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1944&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;MEET ME IN  ST.  LOUIS (Vincente Minnelli)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;TO HAVE AND HAVE NOT (Howard Hawks)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;DOU&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;BLE INDEMNITY (Billy Wilder)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1943&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;I WALKED WITH A ZOMBIE (Jacques Tourneur) &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;HEAVEN CAN WAIT (Ernst Lubitsch)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE LEOPARD MAN (Jacques Tourneur)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1942&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;TO BE OR NOT TO BE (Ernst Lubitsch)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;A BATALHA DE MIDWAY (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1941&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;COMO ERA VERDE MEU VALE (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1940&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;THE SHOP AROUND THE CORNER (Ernst Lubitsch)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;HIS GIRL FRIDAY (Howard Hawks)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;AS VINHAS DA IRA (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;CHRISTMAS IN JULY (Preston Sturges)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;A LONGA VIAGEM DE VOLTA (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;THE BANK DICK (Edward F. Cline&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1939&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;A MOCIDADE DE LINCOLN (John Ford)&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;NO TEMPO DAS DILIGÊNCIAS (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;AO RUFAR DOS TAMBORES (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;DESTRY RIDES AGAIN (George  Marshall)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1938&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;HOLIDAY (George Cukor)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1937&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;ANGEL (Ernst Lubitsch)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;THE AWFUL TRUTH (Leo McCarey)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 153, 0);font-family:courier new;" &gt;O FURACÃO (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;HISTORY IS MADE AT NIGHT (Frank Borzage)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O QUE FOI QUE A SENHORA ESQUECEU? (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1936&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;FILHO ÚNICO (Yasujiro Ozu)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;FURY (Fritz Lang)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;MARIA STUART (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;1935&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;O DELATOR (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1933&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 0);font-family:courier new;" &gt;PEREGRINAÇÃO (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 51, 255);font-family:courier new;" &gt;CORAÇÃO CAPRICHOSO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;THE BITTER TEA OF GENERAL YEN (Frank Capra)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1932&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;EU NASCI, MAS... (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;ONDE ESTÃO OS SONHOS DA JUVENTUDE? (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;1931&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;M (Fritz Lang)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;O CORAL DE TÓQUIO (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1930&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;CITY GIRL (F.W. Murnau)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;FUI REPROVADO, MAS... (Yasujiro Ozu)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1927&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;SUNRISE (F.W. Murnau)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1925&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;GREED (Erich von Stroheim)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;SEVEN CHANCES (Buster Keaton)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1924&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0);"&gt;SHERLOCK JR. (Buster Keaton)&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;AS FINANÇAS DO GRÃO-DUQUE (F.W. Murnau)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1922&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;NOSFERATU (F.W. Murnau)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;1919&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;BROKEN BLOSSOMS (D.W. Griffith)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1917&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 51, 153);font-family:courier new;" &gt;BUCKING BROADWAY (John Ford)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:courier new;"&gt;&lt;span style="font-family:courier new;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37866971-8223193588342274652?l=listasaquelaslistas.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://listasaquelaslistas.blogspot.com/feeds/8223193588342274652/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=37866971&amp;postID=8223193588342274652' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37866971/posts/default/8223193588342274652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37866971/posts/default/8223193588342274652'/><link rel='alternate' type='text/html' href='http://listasaquelaslistas.blogspot.com/2010/06/2010-shutter-island-martin-scorsese.html' title=''/><author><name>Guilherme Semionato</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/-ssBL9PIRS2o/Tl78iZDFL6I/AAAAAAAAATM/TqMTO_0fsew/s220/229768_10150264122050735_587755734_7786206_8007707_n.jpg'/></author><thr:total>0</thr:total></entry></feed>
